Fifty-six years after it’s publication, Madeleine L’Engle’s beloved children’s book A Wrinkle In Time came to the big screen under the direction of Ava DuVernay, the Oscar-nominated black woman filmmaker from Compton. DuVernay’s version of the classic story comes with many changes, the most obvious being that the main protagonist Meg looks a lot different than how many readers may have imagined her. DuVernay’s creation is a representation of multifaceted black girlhood where positive traits, like love, hope and determination exist alongside anger, stubbornness and impatience.
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